ALL HANDS_MAKE LIGHT – Darling The Dawn – LP – 180g Vinyl

LP – 180g Black Vinyl. Includes download code.

ALL HANDS_MAKE LIGHT is the recently minted duo of Ariel Engle (La Force, Patrick Watson, Broken Social Scene) and Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion). Longtime friends, collaborators, and stalwarts of the Montral post-punk community, this is their first full-fledged project together. AH_ML weaves these two unique voices through lustrous tendrils of blown-out tones and drones, expanding on Menucks eponymous modular and analog synth-based work of recent years, now imbued with an additionally searing, soulful warmth and melodicism through Engles singing. Darling The Dawn is a spellbinding album of preternaturally genre-bending sonics and songwriting: a sort of electronic shoegaze suffused with freak-folk, kosmische, darkwave and post-industrial, flowing from ambient minimalism to pulsing maximalism, conjuring traditionals sung in the haze of earliest light accompanied by overdriven circuit boards powered with ungrounded wires.

Engle and Menuck see ALL HANDS_MAKE LIGHT in a folk lineage traced through the likes of Pentangle and Trees to White Magic and Amps For Christ. While theres no discernable guitar or acoustic instrumentation on the album (warm distorted synths provide the palette, along with signal-processed violin from fellow-traveller Jessica Moss), off-kilter drone incantations like A Sparrows Lift and A Workers Graveyard (Poor Eternal) perhaps sit most overtly within these seams of the skewed-folk substratum. The dichotomic ritualism of Can is an adjacent signpost, where methodical longform soundscaping combines with a feeling of extemporized immediacy. The albums tremendous 10-minute centerpieces We Live On A Fucking Planet And Baby Thats The Sun and the motorik-driven The Sons And Daughters Of Poor Eternal also make this influence explicit thanks in part to the resplendent drumming of guest Liam ONeil (Suuns), who helps propel both tracks to their spiralling peaks.

Above all its the singing and lyrics, in method and melodic delivery, that conjure certain freak-folk furrows. Engle calls this music inspired by ancestor music, sea shanties for seas weve never sailed and the duo have indeed forged a collection on Darling The Dawn where vocals often feel strangely rooted in traditionals, while the instrumentation resonates out-of-time, in a liminal space at once glisteningly synthetic and oxidized in analog patina. As the album title suggests, sleepless anxiety/euphoria and a sense of somatic channeling is vital to these songs: I mostly kept the first thought I had, like a cold read, I wanted the melodies to be immediate and to surprise me, not a laboured process; its about being a weather vane, guided by preconscious impulses says Engle. For Menuck, the record started with an idea of making a long thing about THE DAWN, the different weights of its radiance, the way it kisses our dumb faces when we rise and leave the night behind, the heaviness of that light when you havent slept.

Darling The Dawn captures a wholly compelling collaboration between Engle and Menuck in an album of genuine thematic power, thrumming with alternately tender and serrated beauty as only their combined strengths and sensibilities could conjure. Thanks for listening.

Tracklist:

Side One
1. A Sparrows Lift
2. We Live On A Fucking Planet And Baby Thats The Sun
3. Waiting For The Light To Quit
4. A Workers Graveyard (Poor Eternal)

Side Two
1. The Sons And Daughters Of Poor Eternal
2. Anchor
3. Lie Down In Roses Dear